Formed as a reaction to the perceived advantage of Germany's enemies in the realm of film propaganda, Bufa's task was to make use of film for the purposes of psychological warfare. We provide you with a list of stored cookies on your computer in our domain so you can check what we stored.
UFA GmbH, shortened to UFA (German: [ˈuːfa] (listen)), is a German film and television production company that unites all production activities of Bertelsmann in Germany. Les studios sont installés à Berlin-Tempelhof. In 1969, after ten further feature films directed by leading artists such as Curtis Bernhardt, William Dieterle, Helmut Käutner and Wolfgang Liebeneiner – as well as such newcomers as Peter Beauvais, Rolf von Sydow and Georg Tressler – feature film production at UFA was ended. In 1942, as a result of the Nazi policy of "forcible coordination" known as the Gleichschaltung, UFA and all of its competitors, including Tobis, Terra, Bavaria Film and Wien-Film, were bundled together with foreign film production companies Nazi-controlled to form the super-corporation UFA-Film GmbH (Ufi), with headquarters in Berlin. They also established and marketed new film and sports rights. In this spirit, Universum-Film AG (UFA) was founded as a consolidation of private film companies on December 18, 1917 in Berlin. If you refuse cookies we will remove all set cookies in our domain. Today, UFA GmbH (UFA) works as a subsidiary of RTL Group's production division FremantleMedia, which had been formed out of Pearson TV, and is responsible for all production activities of Bertelsmann and FremantleMedia in Germany. Click to enable/disable essential site cookies. By 1938, after taking over foreign film production facilities in France, Belgium and other countries, one third of the company's sales came from abroad. UFA also had two dubbing studios, a mixing studio, two animation studios, two ateliers for advertising films, one for cartoons and a small training atelier.
The following are among UFA's most famous productions from those years: The following are among the most successful UFA directors in the silent era and early talkie period: Ludwig Berger, Paul Czinner, Wilhelm Dieterle, Ewald André Dupont, Karl Grune, Fritz Lang, Ernst Lubitsch, Joe May, Friedrich Wilhelm Murnau, Arthur Robison, Hanns Schwarz, Paul L. Stein, Wilhelm Thiele. Um unsere Webseite für Sie optimal zu gestalten und fortlaufend verbessern zu können, verwenden wir Cookies. Additionally, the Soviets confiscated numerous UFA productions from the Babelsburg vaults and dubbed them into Russian for release in the USSR; and simultaneously began importing Soviet films to the same offices for dubbing into German and distribution to the surviving German theaters. UFA's weekly newsreels continued to contain reference to the Paramount deal until 1940, at which point Die Deutsche Wochenschau ("The German Weekly Review") was consolidated and used as an instrument of Nazi propaganda. 191 initially halted and prohibited all further film production. Starting in 1922, large ateliers in Neubabelsberg (today's Babelsberg Studio) and on Oberlandstraße in Berlin-Tempelhof were made available for film production. Weitere Informationen zu Cookies erhalten Sie in unserer Datenschutzerklärung. Changes will take effect once you reload the page. In March 1927, with the company facing bankruptcy, Alfred Hugenberg – Chairman of the German National People's Party and owner of the Scherl-Gruppe, a powerful media corporation – bought the company. With the launch of private television in 1984, the Bertelsmann Group brought together its film and TV activities in a new holding – the UFA Film und Fernseh GmbH in Hamburg – which also held investments in radio and TV stations such as RTL and Premiere. Sie können unsere Cookies und Datenschutzeinstellungen im Detail auf unserer Datenschutzrichtlinie nachlesen. In 1958, the first UFA feature film Stefanie came out: it starred Sabine Sinjen and was directed by Josef von Baky, who had directed the UFA's large-scale 25th anniversary film Münchhausen in 1942. UFAInteractive, a small subsidiary directly associated with the holding company, was created to fulfill UFA's need for constant innovation (e.g. In this period, the company contributed significantly to the history of German film. But this will always prompt you to accept/refuse cookies when revisiting our site. At this point, the UFA staff hierarchy was reorganized according to the Nazi Führer principle. On July 14, 1945, as a result of Military Government Law No. In 1923, after Decla-Bioscop AG and others were taken over, Erich Pommer became head of all production operations and discovered and fostered many stars, including Emil Jannings, Pola Negri, Conrad Veidt and Lya de Putti. After the German Wehrmacht issued its unconditional surrender on May 7 & 9, 1945, the Military Government Law No.
UFA GmbH, shortened to UFA (German: [ˈuːfa] (listen)), is a German film and television production company that unites all production activities of Bertelsmann in Germany. Les studios sont installés à Berlin-Tempelhof. In 1969, after ten further feature films directed by leading artists such as Curtis Bernhardt, William Dieterle, Helmut Käutner and Wolfgang Liebeneiner – as well as such newcomers as Peter Beauvais, Rolf von Sydow and Georg Tressler – feature film production at UFA was ended. In 1942, as a result of the Nazi policy of "forcible coordination" known as the Gleichschaltung, UFA and all of its competitors, including Tobis, Terra, Bavaria Film and Wien-Film, were bundled together with foreign film production companies Nazi-controlled to form the super-corporation UFA-Film GmbH (Ufi), with headquarters in Berlin. They also established and marketed new film and sports rights. In this spirit, Universum-Film AG (UFA) was founded as a consolidation of private film companies on December 18, 1917 in Berlin. If you refuse cookies we will remove all set cookies in our domain. Today, UFA GmbH (UFA) works as a subsidiary of RTL Group's production division FremantleMedia, which had been formed out of Pearson TV, and is responsible for all production activities of Bertelsmann and FremantleMedia in Germany. Click to enable/disable essential site cookies. By 1938, after taking over foreign film production facilities in France, Belgium and other countries, one third of the company's sales came from abroad. UFA also had two dubbing studios, a mixing studio, two animation studios, two ateliers for advertising films, one for cartoons and a small training atelier.
The following are among UFA's most famous productions from those years: The following are among the most successful UFA directors in the silent era and early talkie period: Ludwig Berger, Paul Czinner, Wilhelm Dieterle, Ewald André Dupont, Karl Grune, Fritz Lang, Ernst Lubitsch, Joe May, Friedrich Wilhelm Murnau, Arthur Robison, Hanns Schwarz, Paul L. Stein, Wilhelm Thiele. Um unsere Webseite für Sie optimal zu gestalten und fortlaufend verbessern zu können, verwenden wir Cookies. Additionally, the Soviets confiscated numerous UFA productions from the Babelsburg vaults and dubbed them into Russian for release in the USSR; and simultaneously began importing Soviet films to the same offices for dubbing into German and distribution to the surviving German theaters. UFA's weekly newsreels continued to contain reference to the Paramount deal until 1940, at which point Die Deutsche Wochenschau ("The German Weekly Review") was consolidated and used as an instrument of Nazi propaganda. 191 initially halted and prohibited all further film production. Starting in 1922, large ateliers in Neubabelsberg (today's Babelsberg Studio) and on Oberlandstraße in Berlin-Tempelhof were made available for film production. Weitere Informationen zu Cookies erhalten Sie in unserer Datenschutzerklärung. Changes will take effect once you reload the page. In March 1927, with the company facing bankruptcy, Alfred Hugenberg – Chairman of the German National People's Party and owner of the Scherl-Gruppe, a powerful media corporation – bought the company. With the launch of private television in 1984, the Bertelsmann Group brought together its film and TV activities in a new holding – the UFA Film und Fernseh GmbH in Hamburg – which also held investments in radio and TV stations such as RTL and Premiere. Sie können unsere Cookies und Datenschutzeinstellungen im Detail auf unserer Datenschutzrichtlinie nachlesen. In 1958, the first UFA feature film Stefanie came out: it starred Sabine Sinjen and was directed by Josef von Baky, who had directed the UFA's large-scale 25th anniversary film Münchhausen in 1942. UFAInteractive, a small subsidiary directly associated with the holding company, was created to fulfill UFA's need for constant innovation (e.g. In this period, the company contributed significantly to the history of German film. But this will always prompt you to accept/refuse cookies when revisiting our site. At this point, the UFA staff hierarchy was reorganized according to the Nazi Führer principle. On July 14, 1945, as a result of Military Government Law No. In 1923, after Decla-Bioscop AG and others were taken over, Erich Pommer became head of all production operations and discovered and fostered many stars, including Emil Jannings, Pola Negri, Conrad Veidt and Lya de Putti. After the German Wehrmacht issued its unconditional surrender on May 7 & 9, 1945, the Military Government Law No.